Review: Lush, Tamaryn at Royale Boston 9-15-2016


Ever since the Lush reunion was announced, I had hoped a tour would follow (it did) and that they would play Boston (they did). I got to Alewife and took the very much delayed Red Line train to downtown Boston, where I met up with a couple of friends for some pre-show dinner and drinks at Jacob Wirth, then we were off to Royale Boston

At the door, our excitement was brought down as I got hassled about my non-removable lens camera by the people working the door (who have a reputation all their own, just look up the Yelp reviews of this place). After proving to them it was NOT a professional camera and that I wasn’t interested in being in the photo pit, amongst other assumptions they made, I was finally allowed in (thanks to the manager who took a quick glance and said it was fine). This was kind of embarrassing and different people who witnessed this whole thing came up to me throughout the night and told me how ridiculous it all was. Admittedly, this whole incident soured me on the night, so I wasn’t all that excited to be there anymore, but tried to make the best of it. All of the pictures below were taken on an iPhone 6 because I was too self conscious about using the camera at this point. Ok, enough with the negatives, I was here to see some bands!

After finding a spot really close to the stage, we made a few friends around us while waiting for Tamaryn to go on.

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I first saw Tamaryn on the river stage at Austin Psych Fest a couple of years ago and they were amazing. Tonight was even better (minus the incredible backdrop of the Colorado River). Tamaryn came out to loud cheers and started to play immediately. With a dream pop, shoegaze sound that consisted of some fairly heavy bass, singer Tamaryn made her way all over the stage, and at times, played keyboards. I thoroughly enjoyed their set.

After they were done, I checked out the merch table before Lush went on and Tamaryn was signing CDs for people. So that was pretty cool.

I grabbed a Harpoon UFO from that lady that sells them in the back corner for $5 and found a spot to see Lush even though there was a pretty large crowd.

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I was lucky enough to have seen Lush a few times in the 90’s…including that one time at Rocky Point in Warwick, RI where they played with Live and Weezer (that was a very strange night in more than a few ways). Of course nothing can top the time I saw Lush at a 4AD showcase (which also featured Mojave 3 and Scheer) in the 90’s at Lupos in Providence where I had an awesome spot right against the stage in front of lead singer Miki Berenyi.

It seemed like a it took a while for the band to come out, prolonging the anticipation. When they finally did and launched straight into “De-Luxe“, it was awesome! Although the vocals sounded a little more mature, as they would after 20 years, the band overall sounded great! Playing all of the favorites such as “Hypocrite“, “Light from a Dead Star“, the long slow jammy “Out of Control“, which had quite a few people bobbing their heads, and the faster “Lady Killers” which got everyone dancing around. In fact, during Ladykillers, Tamaryn stopped and danced right in front of me. They ended the set with “Sweetness and Light” and left the stage, only to come back a few minutes later for a 3 song encore. They appeared for a second encore to play one more song, before finally ending the night.


Lush setlist that some girl was nice enough to let me take a picture of.

Considering all of the issues getting there on the T and then problems with staff, I still ended up having a pretty good time and it was great meeting some new people, but I will have to seriously think about going to any more shows at Royale again.

Review: The Veldt, Dyr Faser, Your 33 Black Angels at Once Lounge in Somerville, MA 9-02-2016


This was a tough night as there were several really good shows going on that ranged from the last Guillermo Sexo show to Fat Creeps and even Anthony Green, which I was invited to go to, but I had been looking forward to seeing The Veldt again. This was also their tour kickoff. Finding parking around Once Somerville can be a pain at times, but luckily I found one open spot in the lot across the street. There was another show going on in the larger ballroom, but this one took place in the smaller, more intimate Twin Peaks-ish lounge area upstairs. Your 33 Black Angels were just starting their set.

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Your 33 Black Angels

I was at the bar, ordering a Jack’s Abby Copper Legend just as Brooklyn’s Your 33 Black Angels started playing. Before the beer filled the glass, a fuse blew cutting power to the stage and the bar, which brought applause and cheers from the pretty small crowd. A few minutes later, the amps were powered back up and the show continued. I wasn’t familiar with Your 33 Black Angels but they have been around for a while. They had a bit of a psych sound and at times venturing into synth pop territory. It’s kind of hard to describe their music since it seemed to span multiple genres. They were great and I really enjoyed their set.

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Dyr Faser

Dry Faser’s sound is something that needs to be experienced live. The video above as well as me trying to convey just how awesome their reverb drenched music can fill up the small-ish room does it no justice. A project of Eric Boomhower on guitar, with Thalia Zedek on another guitar and keyboardist Kate Murray all jamming over a drum machine, this trio created some seriously dark sounding music that completely wraps itself around you.

After the set, I ordered a Newburyport Brewing Green Head IPA, then tried to find an unobstructed spot to see The Veldt.

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The Veldt

I have now seen The Veldt 3 times in the last 5 months and every time they have been amazing. Tonight was no exception, especially with projections that added to the vibe of their soul-shoegaze sound, it felt more like an experience rather than a mere show. Singer Daniel Chavis’ soulful voice combined with his brother Danny on guitar, brought a lot of emotion to the songs, which was especially evident on the slower ones.

After the show, I chatted with bassist Hayato Nakao as I bought a Veldt t-shirt. I meant to pick up a physical copy of their latest CD The Shocking Fuzz of Your Electric Fur since I haven’t gotten around to buying it on Bandcamp yet.

This was an awesome small and intimate show that felt like a private performance by some really great bands, all of which I’d recommend seeing if you get the chance.

The Veldt 2016 European tour dates:

09/22 London, UK – Shacklewell Arms (with Electric Eye, Camera)
09/23 Liverpool, UK – Liverpool International Festival of Psychedelia
09/24 Malmo, Sweden – Gatufest // Norra Grängesbergsgatan
09/25 Copenhagen, Denmark – TBC

Review: Boston Fuzzstival 2016 Night 2 at the Middle East Downstairs 8-20-2016


Every year I look forward to Fuzzstival, which is put on by Jason Trefts (a dude I have yet to formerly meet) at the Middle East in Central Square. It really is one of my favorite nights of music because it pretty much puts all of my favorite local-ish bands on one bill over two nights. I skipped the first night since I had something else going on, but got to the Middle East right at 6pm just as Weakend Friends were playing their last notes. I was really hoping to catch them, but definitely next time. I ordered a Sam Adams Octoberfest from the bar and moved closer to the main stage.

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Painted Zeros

The first band I caught was Painted Zeros who came up from Brooklyn. They played a great set of straight up dreamy indie rock and were a great first band to catch. A second stage was set up off to the side of the main stage, in that slight elevated area near the other bar. WAY OUT were up next on this stage.

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Providence’s WAY OUT played a pretty energetic set of dark sounding, almost gothy punk rock. I really got into these guys and hope to see them again soon.

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Next were one of my other favorites, Boytoy, who I have been trying to see forever and finally got the chance. They did not disappoint and held the entire crowd’s attention with a set of lo-fi pop punk. This was a great set!

I caught a couple of songs during High Pop’s set but ended up leaving to find some food. The hardest part of Fuzzstival is deciding when to leave to get dinner. I ended up at the Dumpling Room across the street from the Middle East. The potstickers there were amazing and hit the spot.

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Ravi Shavi

I made it back in time to see Ravi Shavi, who are from Providence. This is another band that I’ve been trying to see for a while. With a garage pop sound and frontman Rafay Rashid moving and posing all around the small stage, they brought the room’s energy level up a notch.

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Ghost Box Orchestra

Next were one of my favorite Boston area bands, Ghost Box Orchestra, who I have seen many times. With a pulsing beat throughout most of their epically large sounding set, they pretty much won the night for me. They ended with a cover of the Pixies. This was probably my favorite set of the night.

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Zip-Tie Handcuffs

Another one of my favorites, 2015 Rock ’n’ Roll Rumble winners Zip-Tie Handcuffs melted faces with a very energetic set of garage rock.

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Major Stars

Major Stars, who I didn’t know too much about, started out a little slower than the previous few bands, but then it built up in to long jamming songs and totally won me over.

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Las Rosas

Brooklyn’s Las Rosas had a few people in the crowd dancing with their garage psych sound which at timed seemed to veer almost into punk territory.

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This was my 4th time seeing Quilt, and second time within the last couple of months. With a quieter sound, Quilt were a little more subdued than the bands that played before them and there was still a pretty large crowd.

I was starting to get really tired at this point and considered leaving. I stayed until Quilt finished and as much as it killed me to miss Mini Dresses and Doug Tuttle’s sets, 6 hours was long enough combined with ear fatigue setting in from wearing my earplugs for almost that entire time.

I bought a t-shirt and was bummed to miss out on the awesome silk screened t-shirts (I really have to stop waiting til the end of shows to get these things), then headed out to catch the train back home.

As I said before, Fuzzstival is one of my favorite things to go to every year. Much thanks to Jason Trefts who puts it all together and makes it fun while helping to support local music as well as those smaller bands that are not so local.

Review: Belly at The Parlor in Newport, RI 7-09-2016

I drove down to Providence to pick up one of my best friends before heading to Newport for the second night of Belly’s hometown shows. We started out with some dinner and drinks at one of my favorite Newport restaurants, the Salvation Cafe. I had the short rib burger and a Foolproof Backyahd IPA (can you tell it’s a RI beer?) and she had the, always delicious pad thai. After dinner we walked the block or so over to The Parlor, where there was a decent sized crowd eagerly waiting for Belly to go on.

Once inside, you could actually feel the excitement in the air as people were chatting with each other and catching up with each other. Newport is a very small town and everyone knows everyone else, trust me on this. When Belly came out, their was thunderous applause and cheers and the band were all smiles while acknowledging this hometown crowd. I chose the wrong time to get a Brooklyn Lager, which to be honest, shouldn’t have taken the entirety of the first 3 songs for me to get. Either way, with my drink in hand, I tried to find a spot where I could see the band play.

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This was Belly’s first show in many years, although I swear I saw them somewhere once in the 90’s (Waterplace Park maybe?). It also served as a warmup show for their upcoming tour as well. Featuring a good mix songs, the majority being from the Star and King albums with a few new ones thrown as well. The band joked around and talked to people in the audience between songs. Bassist Gail Greenwood was very animated throughout the night and seemed to be having a great time. Before launching into what is by far their biggest hit, “Feed The Tree”, singer Tanya Donelly called the song their “bastard child”, which drew laughs from the crowd.

After a break, the band came back out and played a somewhat slower, more acoustic based set of music. They ended the night with “Thief” as the final song for an encore.

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After the show, they band hung around and talked to people, which only made sense as it seemed most people there new them personally. We decided to take off and get one more drink somewhere and ended up at Pour Judgement, which was a really cool little spot that had a band playing lots of older surf rock. This was a really fun night, especially with getting to catch up with a good friend, seeing some people I knew in my hometown, and of course Belly were great.

Belly 2016 tour dates:

Jul 28 The Crescent Ballroom – Phoenix, AZ
Jul 31 Drais Beach Club Night Club – Las Vegas, NV
Aug 09 Royale Boston – Boston, MA
Aug 10 Bowery Ballroom – New York, NY
Aug 11 Bowery Ballroom – New York, NY
Aug 12 Royale Boston – Boston, MA
Aug 13 9:30 Club – Washington, DC
Aug 14 Union Transfer – Philadelphia, PA
Aug 24 Teragram Ballroom – Los Angeles, CA
Aug 25 Teragram Ballroom – Los Angeles, CA
Aug 26 Great American Music Hall – San Francisco, CA
Aug 27 Revolution Hall – Portland, OR
Aug 28 Neptune Theatre – Seattle, WA
Sep 17 Vic Theater – Chicago, IL
Sep 18 First Avenue – Minneapolis, MN

Review: Quilt, Widowspeak, Doug Tuttle at The Sinclair in Cambridge, MA 6-24-2016


After a much needed short nap, I made my way to The Sinclair in Harvard Square for this show, which I was really looking forward to. Once inside, I went straight to the bar for a Six Point Sweet Action beer and then made my way close to the stage. There wasn’t that big of a crowd just yet, so it was pretty easy to get up front as Doug Tuttle had just started playing.

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Doug Tuttle

I have seen Boston’s Doug Tuttle many times, but this seemed to be one of the mellowest sets I’ve seen them play. That’s not to say they didn’t rock, because they totally did and it was a good way to start the night. About half of the songs were from their latest album, It Calls On Me, which is pretty good. As the band ended with the chilled out “Turn This Love”, which morphs into a psychedelic feedback filled jam, the now bigger crowd erupted in cheers and applause. I never get tired of seeing that song played live.

Between bands, I went to the bar for another beer, this time around being a Wormtown Be Hoppy which was recommended to me and it was really good.

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Keeping the mellow sounds going, Widowspeak, who are from Brooklyn, were the only band of the night not to have ties to the Boston area. With singer Molly Hamilton’s voice setting the tone of dreamy indie rock that never got too crazy, except for the part where guitarist Robert Earl Thomas started playing guitar behind his head, they held the attention of the crowd for nearly the whole set. This was a band that I have tried to see for a while now and I was not disappointed.

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Previously having seen Quilt at Austin Psych Fest and Fuzztival (and they are playing it again this year), this was my third time seeing them and it might have been the best I have ever heard them sound. Playing a few songs that singer Anna Fox Rochinski said were about the Boston area, the band seemed to be having a great time on stage, even joking around at times. I ended up having to leave during the encore to make sure I didn’t miss one of the last trains back to Alewife.

This was a really good night of music that was more on the mellow side, and I had a pretty good time. After quick run through Tasty Burger for some food, I caught the train and made my way home.

Review: My Life With The Thrill Kill Kult at the Middle East Downstairs 6-10-2016


I really struggled with whether or not to go to this show. I used to really be into My Life With The Thrill Kill Kult in the 90’s when I went through a goth/industrial phase that…uhh…we won’t talk about. But there were some other good shows happening this night too (the Bearstronaut record release, amongst other things). Worried that I would stick out like a sore thumb because of the goth dance night that was taking place immediately after (which by the way, leads me to the “dress code” of goth/fetish/all black at those kinds of nights…really? 1, I’m too old for that shit, 2, why would I want to dress like and encourage a stereotype?, and 3, what if I just really enjoy the genre and want to go out somewhere to hear some music, meet some new people, and have a couple of beers? Don’t get me wrong, I understand the reasons, but still…Ok…rant over).

When I arrived at the Middle East Downstairs, there was a line stretching through the restaurant portion of the club, with a lot of people waiting to get in. There was no opener for this show and the band had already started while I was waiting in line. The people waiting around me were really friendly, which is at times, hard to find in Boston. Also, my fears of not being in some sort of goth-wear were alleviated when I noticed that most of the people there were dressed in regular clothes.

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My Life With The Thrill Kill Kult

Once inside, the club was only about half full and I grabbed a Jack’s Abby Hoponius Union to watch the band as they were already playing “Leathersex”. Thrill Kill Kult pretty much played a nonstop set. The crowd erupted into cheers every time one of the hits like “Sex on Wheelz”, “The Days of Swine and Roses”, and “Kooler Than Jesus” started. They left the stage for a few minutes and the crowd started chanting for more songs. There were loud cheers when they came back out and did an encore which seemed to be a little more on the electronic side of things.

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My Life With The Thrill Kill Kult

This was an early show, with no opener, so it was over around 9:30pm. I thought about heading over to The Sinclair for the Bearstronaut show, but was kind of hungry, so I ended up Shake Shack in Harvard Square for some food that really hit the spot. Back on the T to Alewife and I was home by 11pm, which felt really strange. Either way, I had a really good time at the show and it was cool to see Thrill Kill Kult for the first time since the 90’s.

Review: Modern English, Shadow Age, The Milling Gowns at the Middle East Downstairs in Cambridge, MA 6-7-2016


Since this was an early show, I cut out of work a few minutes early so I could go home and change. I got to Alewife and took the train to Central Square and after a short walk, I was at the Middle East downstairs for a show I had been looking forward to all day. I started with a Jack’s Abby Hoponius Union and got closer to the stage to see Boston’s own The Milling Gowns.

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The Milling Gowns

For one reason or another, I have never seen The Milling Gowns live before. I don’t know what took so long but I was loving this band. They were soo dark and moody, invoking Joy Division-esque sounds. With lead singer M. holding his head down at times, as the band played, there was a very cinematic element to their gloomy songs and it worked well. Gloom pop indeed.

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Shadow Age

To be honest, I didn’t know too much about Shadow Age, who are from Richmond, Virginia. Once they started playing, things got a little more rocking. It was hard to miss lead singer Aaron Tyree, who with a towering presence was front and center, moving around the stage as he wailed on the guitar. Their dark and moody post punk sound kept the tone of the night going.

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Modern English

From the moment Modern English (yes, that band) stepped on stage, they were all smiles as the crowd cheered loudly. With this being the last show of their Mesh & Lace tour, named after their 1981 debut album, things were probably a little looser and relaxed and you could tell they were genuinely having a good time.

Once Modern English started playing, I was surprised, in the best possible way, that most of their music was very different than their popular 80’s hit “I Melt With You”. Starting off the set with “Dance of Devotion”, with it’s pulsating guitars and singer Robbie Grey howling and convulsing around the stage, it was a good way to start off the show. The majority of songs were from the Mesh & Lace album and ranged from dark post punk to almost droning at times. Grey held the audience’s attention throughout the show with stories and banter between songs. After playing through their set, the band left the stage, only to come back out a few minutes later for an encore. They ended the night with as Grey called it “that one song”, of course referring to “I Melt With You“, which turned into a giant sing along and it was awesome!

This was an amazing night that far exceeded my expectations. All three bands were great and Modern English were really fun. I’d highly recommend seeing any of them if you get the chance.