Review: Earthless, Kikagaku Moyo, JJUUJJUU at the Sinclair in Cambridge, MA 3-17-2018

Earthless sign

There was nothing about this show that would have led you to believe it was St. Patrick’s day in Boston, unless you were riding the T and saw amongst other things, a girl sitting across from me with an amber colored fluid in her Polar Springs Sparkling Water bottle.

I kept flip flopping on whether or not to go to this show, but decided at the last minute to go with hopes that I could still get a ticket at the door. There was no traffic on my drive to Alewife and it was a really fast train ride to Harvard Square. In no time, I was at the Sinclair for this pretty stacked lineup that consisted of JJUUJJUU, Kikagaku Moyo, and headliners Earthless. I bought a ticket at the door, dropped my coat off at the coat check, and ordered a beer just as JJUUJJUU were just hitting the stage.

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JJUUJJUU

JJUUJJUU are, much like a lot of bands I’ve seen, a group I first saw at Austin Psych Fest a few years ago. Based in Los Angeles, their music is full of reverby psychedelic drenched goodness. They played for just over half an hour, but man, it was great!

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Kikagaku Moyo

Japanese psych band Kikagaku Moyo, whose name I have trouble pronouncing, but translates to “geometric patterns”, are another band I caught in Austin before and really dug them. With enough members on the stage to make it look pretty cramped up there, they played a set where the songs seemed to start out a bit mellow and before you knew it, crashed like a giant psychedelic wave washing over the audience.

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Earthless

As soon as I saw the crazy psychedelic visuals provided by the excellent Mad Alchemy, I knew we were all in for a treat. San Diego’s Earthless, who were draped in swirls of patterns and colors, hit the crowd hard as they went right into “Godspeed” and kept the heavy guitar riffs coming for the rest of the night. Playing mostly instrumental stoner rock to a sold out crowd that was really feeling it and I’ll leave it up to you as to what exactly “it” is, they held the room’s attention for the entirety of their set.

They finished out the night with a very heavy cover of Led Zeppelin’s “Communication Breakdown”, which was pretty loud and intense with most of the crowd singing along. Honestly, I didn’t want it to end, but like all good things, it had to.

This was an amazing night of music and I’m glad I ended going. It was a pretty quick ride back to Alewife and my eyes are still reeling from those visuals!

Earthless 2018 tour dates:

May 31 – Detroit MI @ El Club *
June 1 – Nelsonville OH @ Nelsonville Music Festival
June 2 – Louisville KY @ Zanzabar
June 3 – Morgantown WV @ 123 Pleasant Street #
June 5 – Asheville NC @ The Mothlight %
June 6 – Atlanta GA @ The Masquerade %
June 7 – Spartanburg SC @ GroundZero %
June 8 – Orlando FL @ Will’s Pub %
June 9 – Tallahassee FL @ The Wilbury %
June 10 – Baton Rouge LA @ Spanish Moon %
June 12 – Houston TX @ White Oak Music Hall %
June 13 – Austin TX @ Barracuda Austin %
June 14 – Ft. Worth TX @ Ridglea Theater %
June 15 – Memphis TN @ Growlers %

*: with Timmy’s Organism and The Octopus
%: with Here Lies Man
#: with Hill Giant

Kikagaku Moyo 2018 tour dates:

Nov 07 – Gorilla Manchester, United Kingdom
Nov 08 – Scala London, United Kingdom
Nov 17 – Café Bad Bonn Düdingen, Switzerland
Nov 19 – arena wien – verein forum Wien, Austria
Nov 21 – Loppen, Christiania KØBENHAVN K, Denmark
Nov 23 – Fasching Stockholm, Sweden
Nov 24 – Blå Oslo, Norway
Nov 26 – Hafenklang Hamburg, Germany
Nov 27 – Ancienne BelgiqueBrussels, Belgium
Nov 30 – Sala Upload Barcelona, Spain
Dec 08 – Paradiso Grote ZaalNieuw-Amsterdam, Netherlands

JJUUJJUU 2018 Tour dates:

Jun 05 – Columbus, OH EXPRESS LIVE!
Jun 06 – Chicago, IL Huntington Bank Pavilion at Northerly Island
Jun 07 – Lakewood, OH Mahall’s Locker Room
Jun 08 – Pittsburgh, PA Stage AE
Jun 09 – Sterling Heights, MI Michigan Lottery Amphitheatre at Freedom Hill
Jun 10 – Indianapolis, IN The Farm Bureau Insurance Lawn at White River State Park
Jun 12 – Cincinnati, OH PNC Pavilion at Riverbend
Jun 13 – Milwaukee, WI Cactus Club
Jun 14 – Maplewood, MN Myth
Jun 15 – Bonner Springs, KS Providence Medical Center Amphitheater
Jun 16 – Camdenton, MO Ozarks Amphitheater
Jun 18 – Lincoln, NE Pinewood Bowl Theater
Jun 19 – Denver, CO Lost Lake Lounge


Jun 21 – Missoula, MT KettleHouse Amphitheater


Jun 22 – Redmond, WA Marymoor Park


Jun 23 – Bend, OR Les Schwab Amphitheater


Jun 25 – Troutdale, OR McMenamin’s Edgefield Winery


Jun 28 – Avila Beach, CA Avila Beach Golf Resort
Jun 29 – Berkeley, CA Greek Theatre


Jun 30 – Lincoln, CA Thunder Valley Casino Resort & Amphitheater


Jul 02 – Salt Lake City, UT Salt Air Pavilion


Jul 03 – Las Vegas, NV Downtown Las Vegas Events Center


Jul 05 – Los Angeles, CA Greek Theatre


Jul 06 – San Diego, CA Cal Coast Credit Union Open Air Theatre


Jul 07 – Phoenix, AZ Comerica Theatre


Oct 12 – Perris, CA Moreno Beach

Review: Brian Jonestown Massacre, Lucid Lynx at the Paradise in Boston, MA 9-09-2017

Sign Brian Jonestown Massacre

I bought a ticket for this show the second they went on sale, so needless to say, it’s been a long wait, but the night has finally arrived! I decided to drive to the Paradise, since the last time the Brian Jonestown Massacre played here, it was over 3 hours and I ended up missing the train, which in turn became a pricey Uber ride back to Alewife, but soo worth it! After circling the area for a while to find a parking spot, I managed to get almost the same exact space that I had only a few days earlier when I saw Warpaint. It was about a 15-20 minute to walk to the Paradise. There was a very short line to get in and there weren’t that many people yet. I started the night with a Harpoon Wannamango, which was ok, but I expected a better flavor since it seemed a lot of people like this beer. I waited for openers Lucid Lynx to go on.

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Lucid Lynx

Lucid Lynx are a trio that met at Berklee and play psychedelic music. I had never heard of them until this show and was very pleasantly surprised. they played about 40 minutes of pure mellow psychedelic music that was just trippy enough without venturing into drone territory. I was really digging this band.

In between sets, I noticed that none of the usual people I see at these types of shows was around. It also seemed to be more of an older crowd this time around too. I ordered a Harpoon UFO White, my old standby and tried to find a good spot for Brian Jonestown Massacre.

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Brian Jonestown Massacre

As Anton Newcombe and the rest of The Brian Jonestown Massacre came to the stage, the crowd went nuts! This was the band’s last show of 2017, so you knew it was going to be a good one. Starting out with “Groove” and “Geezers” with the fired up audience getting involved by yelling the “woo!” part during “Who”, it seemed like everyone was enjoying themselves.

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Although I was pretty tired by the end of this almost 2 1/2 hour set, it’s always good to see the Brian Jonestown Massacre live. After the show, Anton Newcombe was taking pictures with a few fans outside of the Paradise, which was pretty cool. It seemed like the only thing really open was McDonalds, so I ordered some food and walked back to my car and was home pretty fast.

Review: The Flaming Lips, Clipping, at the House of Blues Boston, MA 3-3-17

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The ‘shrooms

To say that I was excited about this show is an understatement. After a very long, due to traffic, drive from work into Boston, I parked near Fenway and made my way over to the House of Blues. The line to get in was insanely long and seemed to take forever but then again, it was freezing out, so that probably made it feel worse. Once inside, people were greeted by two giant inflatable mushrooms in the back of the club and a stage setup that was pretty awesome looking. I met up with my good friend Matt, who was just as excited for this show.

I haven’t been to the House of Blues in a while, but they now have a small bar with craft beers and food next to the coat check room. I started with a Jack’s Abby House Lager, which is probably the first beer from Jack’s Abby that I didn’t care for.

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Clipping

Clipping is a hip hop group that seemed to use a lot of jittery static sounds. As Matt stated, this guy can flow and I can’t argue with that. This seemed like an odd choice for an opener though, which was echoed by several people in line at the merch table after the show. Regardless, Clipping was pretty interesting to see.

I gave the Harpoon Hoppy Adventure a try and it wasn’t too bad, but I expected something a little different. I made my way back to the front to get a good view of The Flaming Lips.

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The Flaming Lips

I had caught a little bit of The Flaming Lips set in Austin at Levitation in 2015, but left early since I was pretty beat by the time they went on, but tonight, I wasn’t going to miss any of it. Also, this was the first date of their current tour.

It didn’t take long for a busy stage crew to set up, so with balloons and cannons drowning the crowd in confetti, the Flaming Lips started with “Race for the Prize” and I knew this night was going to be amazing. During “Yoshimi Battles the Pink Robots”, Wayne Coyne, who was flanked by giant inflatable dancing frogs, wasn’t quite feeling the karate chops from the crowd. After a restart and much more energetic karate chops, the tone for the night was set.

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The Flaming Lips

Wayne Coyne truly seemed to be having a great time and I don’t think he stopped smiling all night. He interacted with the audience a lot, at one point, climbing into a giant inflatable ball during their cover of Bowie’s “Space Oddity”, and riding a unicorn through the crowd while shaking hands with people during “There Should Be Unicorns”. The trippiest part of the night had to be during “The W.A.N.D.”, which featured a lot of strobe lights, including one strapped to Coyne’s chest and two giant eyeballs. They finished with “Do You Realize”, which was a great way to end the night.

After leaving the House of Blues, I braved an intense snow squall and made my way over to Tasty Burger for some late dinner before heading back home. I thoroughly enjoyed every single second of this show and am now happy that I finally got to see them. I know it’s still early, but this will probably go down as my favorite show of the year.

The Flaming Lips 2017 tour dates:

5-9-2017 Los Angeles, CA, USA The Theatre at Ace Hotel
5-10-2017 Oakland, CA, USA Fox Theater
5-12-2017 Portland, OR, USA Roseland Theater
5-13-2017 Spokane, WA, USA Knitting Factory
5-15-2017 Vancouver, BC, Canada Queen Elizabeth Theatre
5-16-2017 Seattle, WA, USA Paramount Theatre
6-3-2017 Wichita, KS, USA Riverfest
6-17-2017 Chattanooga, TN, USA Riverbend Festival
6-23-2017 Pilton, England, UK Glastonbury Festival
6-24-2017 Hull, England, UK Zebedee’s Yard
6-26-2017 Norwich, England, UK The LCR
6-27-2017 Brighton, England, UK Brighton Dome Concert Hall
6-30-2017 Vilanova i la Geltrú, Spain Vida Festival
8-11-2017 Newquay, England, UK Boardmasters Festival
8-12-2017 Birmingham, England, UK The Rainbow Open Air Arena
8-13-2017 Bristol, England, UK Colston Hall
8-15-2017 Glasgow, Scotland, UK Barrowlands
8-16-2017 Nottingham, England, UK Rock City
8-18-2017 Hasselt, Belgium Pukkelpop
9-10-2017 Portmeirion, Wales, UK FestivalN°6
9-17-2017 Saint Paul, MN, USA Myth Live Event Center
9-18-2017 Milwaukee, WI, USA Eagles Ballroom Club Stage
9-19-2017 Indianapolis, IN, USA Farmers Bureau Insurance Lawn
9-20-2017 Niagara Falls, NY, USA Rapids Theatre
9-29-2017 Houston, TX, USA Revention Music Center
9-30-2017 Irving, TX, USA Pavilion at The Music Factory
10-1-2017 Austin, TX, USA ACL Live at the Moody Theater
10-5-2017 Phoenix, AZ, USA Comerica Theatre

Review: The Veldt, Dyr Faser, Your 33 Black Angels at Once Lounge in Somerville, MA 9-02-2016

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This was a tough night as there were several really good shows going on that ranged from the last Guillermo Sexo show to Fat Creeps and even Anthony Green, which I was invited to go to, but I had been looking forward to seeing The Veldt again. This was also their tour kickoff. Finding parking around Once Somerville can be a pain at times, but luckily I found one open spot in the lot across the street. There was another show going on in the larger ballroom, but this one took place in the smaller, more intimate Twin Peaks-ish lounge area upstairs. Your 33 Black Angels were just starting their set.

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Your 33 Black Angels

I was at the bar, ordering a Jack’s Abby Copper Legend just as Brooklyn’s Your 33 Black Angels started playing. Before the beer filled the glass, a fuse blew cutting power to the stage and the bar, which brought applause and cheers from the pretty small crowd. A few minutes later, the amps were powered back up and the show continued. I wasn’t familiar with Your 33 Black Angels but they have been around for a while. They had a bit of a psych sound and at times venturing into synth pop territory. It’s kind of hard to describe their music since it seemed to span multiple genres. They were great and I really enjoyed their set.

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Dyr Faser

Dry Faser’s sound is something that needs to be experienced live. The video above as well as me trying to convey just how awesome their reverb drenched music can fill up the small-ish room does it no justice. A project of Eric Boomhower on guitar, with Thalia Zedek on another guitar and keyboardist Kate Murray all jamming over a drum machine, this trio created some seriously dark sounding music that completely wraps itself around you.

After the set, I ordered a Newburyport Brewing Green Head IPA, then tried to find an unobstructed spot to see The Veldt.

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The Veldt

I have now seen The Veldt 3 times in the last 5 months and every time they have been amazing. Tonight was no exception, especially with projections that added to the vibe of their soul-shoegaze sound, it felt more like an experience rather than a mere show. Singer Daniel Chavis’ soulful voice combined with his brother Danny on guitar, brought a lot of emotion to the songs, which was especially evident on the slower ones.

After the show, I chatted with bassist Hayato Nakao as I bought a Veldt t-shirt. I meant to pick up a physical copy of their latest CD The Shocking Fuzz of Your Electric Fur since I haven’t gotten around to buying it on Bandcamp yet.

This was an awesome small and intimate show that felt like a private performance by some really great bands, all of which I’d recommend seeing if you get the chance.

The Veldt 2016 European tour dates:

09/22 London, UK – Shacklewell Arms (with Electric Eye, Camera)
09/23 Liverpool, UK – Liverpool International Festival of Psychedelia
09/24 Malmo, Sweden – Gatufest // Norra Grängesbergsgatan
09/25 Copenhagen, Denmark – TBC

Review: Quilt, Widowspeak, Doug Tuttle at The Sinclair in Cambridge, MA 6-24-2016

Sign

After a much needed short nap, I made my way to The Sinclair in Harvard Square for this show, which I was really looking forward to. Once inside, I went straight to the bar for a Six Point Sweet Action beer and then made my way close to the stage. There wasn’t that big of a crowd just yet, so it was pretty easy to get up front as Doug Tuttle had just started playing.

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Doug Tuttle

I have seen Boston’s Doug Tuttle many times, but this seemed to be one of the mellowest sets I’ve seen them play. That’s not to say they didn’t rock, because they totally did and it was a good way to start the night. About half of the songs were from their latest album, It Calls On Me, which is pretty good. As the band ended with the chilled out “Turn This Love”, which morphs into a psychedelic feedback filled jam, the now bigger crowd erupted in cheers and applause. I never get tired of seeing that song played live.

Between bands, I went to the bar for another beer, this time around being a Wormtown Be Hoppy which was recommended to me and it was really good.

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Widowspeak

Keeping the mellow sounds going, Widowspeak, who are from Brooklyn, were the only band of the night not to have ties to the Boston area. With singer Molly Hamilton’s voice setting the tone of dreamy indie rock that never got too crazy, except for the part where guitarist Robert Earl Thomas started playing guitar behind his head, they held the attention of the crowd for nearly the whole set. This was a band that I have tried to see for a while now and I was not disappointed.

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Quilt

Previously having seen Quilt at Austin Psych Fest and Fuzztival (and they are playing it again this year), this was my third time seeing them and it might have been the best I have ever heard them sound. Playing a few songs that singer Anna Fox Rochinski said were about the Boston area, the band seemed to be having a great time on stage, even joking around at times. I ended up having to leave during the encore to make sure I didn’t miss one of the last trains back to Alewife.

This was a really good night of music that was more on the mellow side, and I had a pretty good time. After quick run through Tasty Burger for some food, I caught the train and made my way home.

Review: Magic Shoppe, Minibeast, DYR FASER, U4IA at Once Ballroom in Somerville, MA 5-28-2016

I was really looking forward to this show because it has been a while since I’ve seen Magic Shoppe play. Taking place at Once Ballroom in Somerville, it was my first time at this venue, which isn’t really T accessible, so that meant having to drive there. I was worried about finding someplace to park, but there was a pretty empty parking lot across the street. I paid, then went inside and was kind of surprised that Once Ballroom was a little bigger than pictures I’ve seen had led me to believe. I ordered a Smuttynose Finest Kind IPA then waited as U4IA were setting up.

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U4IA

U4IA is Tim, who also plays drums in Magic Shoppe. He was filling in for Portland’s S.S. Cretins after they were unable to make it to Somerville from Maine. I first saw U4IA at the Lilypad last year where he played solo and was surrounding by lots of electronics, but this time, there were a couple of people helping out. It was a pretty cool nearly 40 minute set of electronic music.

I ordered my usual Jack’s Abby Hoponius Union from the bar, but they only served it in cans, although I still prefer it on tap. DYR FASER were up next and I was really looking forward to seeing them.

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DYR FASER

DYR FASER is a band I have heard a lot about, but haven’t seen live until now. With drum machines and lots of reverb, frontman Eric Boomhower and Thalia Zedek created a darkly layered sound that was subtle and built up in intensity. I really got into this band and was happy to finally see them.

While waiting for Minibeast to go on, the guy standing next to me commented on how sticky the floor was (and believe me, it was!). When he lifted his foot up, it came right out of his shoe, which gave a few people around us a laugh.

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Minibeast

Minibeast are a 3 piece band from Providence and featuring Pete Prescott of Mission of Burma. Their set was full of really cool beats and grooves and they fit right in with the two bands that played before them in keeping a kind of experimental/electronic vibe going.

I ordered one more Finest Kind as Magic Shoppe were getting ready to go on.

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Magic Shoppe

It had been a while since I’ve seen Magic Shoppe play, so I was really looking forward to this and they did not disappoint. With awesome visuals setting the mood behind them, the band tore through a set of psychedelic garage rock which included a personal favorite, “All The Way“. Although it felt like a too short set (doesn’t it always?), it was a good end to a night of amazing experimental and psych music.

I ended up at Sonic in Wilmington for some quick junk food which was much needed and then made my way home. This was a great night of music and people! Once Ballroom was a pretty cool space and I’ll definitely have to catch some more shows there in the future.

Review: King Gizzard & the Lizard Wizard, The Murlocs, Doug Tuttle at The Sinclair 5-13-2016

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Due to highway construction, I had to take a detour on my way to Alewife but happened to catch the Red Line train to Harvard Square just in time. I made the short walk to The Sinclair, where there was a little bit of line out in the drizzling rain to get in. At least the line moved fast, so it wasn’t a bad wait. Once inside, I ordered an Honest Weight Venture Paper rye beer and found a spot off to the side to see Doug Tuttle, who were already playing to a packed club.

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Doug Tuttle

Doug Tuttle played a pretty high energy psych rock set and sounded real good. This was my first time seeing them on a stage bigger than the one at the Middle East Upstairs, and it seemed to add to the energy, which in turn had the crowd going wild. They ended with a long, intense feedback filled jam which set the bar pretty high for the rest of the night.

I had a scary moment as I took out my Doppler Labs’ Dubs earplugs to chat with someone and the tip got stuck in my ear. After a few minutes, I managed to fish it out, but this is the third time this has happened in as many shows. So as much as I like these earplugs, I just can’t recommend them anymore (especially with the company, Doppler Labs, being unresponsive to this problem), which sucks, because they are one of the few that fit my ears perfectly. I switched to my backup pair of Planet Waves, which didn’t work quite as well, so the search for a new set is on.

I went to the bar to order another beer, this time a Blue Point Brewing Toasted Lager as I waited for The Murlocs to go on. I’ll give it to The Sinclair, they always have a good selection of beers on tap.

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The Murlocs

I’ll be honest, it took a little bit of time for me to get into Mebourne, Australia’s The Murlocs. About halfway through the set, their bluesy garage rock sound got a little heavier and I came around to liking them. It was a good segue into King Gizzard, who were up next.

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King Gizzard & the Lizard Wizard

I got to see about 15 minutes or so of King Gizzard & the Lizard Wizard’s set in Austin last month. By “see”, I mean standing near an open door behind Barracuda with around 20 other people and peeking in, but it was enough to convince me to want to see them when they hit the Boston area. Considering how fired up the sold out crowd was when the 7 members of King Gizzard & the Lizard Wizard, also from Melbourne, took the stage, I knew this was going to be an insane set, and not just because of the “No Moshing” signs that were posted at the front door.

Opening with “Robot Stop”, which is also the first track on their new album Nonagon Infinity, the band had a frenetic energy that caused several mosh pits and crowd surfers to emerge during songs like “Evil Death Roll“. Much like that album, almost all of the songs flowed into each other and only stopping occasionally. With double drummers, and at times, harmonica and flute, they played a set that also featured songs from some of their older albums as well. After they finished, I went down to the front of the stage to see if there was a setlist (there wasn’t), but I ended up talking to a guy who was picking up his broken glasses and just passed it off as an “it was soo worth it!” kind of thing. That pretty much sums up how good of a time people had at this show and I have to agree.

I really wanted to get a King Gizzard t-shirt, but they only had XXL (?) left, so maybe next time. I was getting pretty hungry at this point and even though I swore I’d try something different, I still ended up at Tasty Burger for my usual Big Tasty. The place was filled with people wearing King Gizzard t-shirts and carrying newly purchased King Gizzard records, which was pretty cool. I caught one of the last trains back to Alewife and made my way home after what was a great night of music!